The musical was to become the most American of theatrical genres; immense productions began to dominate the large theaters in New York by the 1950s and continue to do so. The play is performed twice and is commended by the king. Note the circular orchestra with its alter (thymele), the theatron which enfolds approximately 60% of the central playing area, and the skene -- with its three "doors" -- which just touches the edge of the orchestra.

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