In contrast, the work of literature is to defamiliarize language by a process of "making strange." Lavender, L., 2000–2001, “Post-Historical Dance Criticism,” Dance Research Journal, 32 (2): 88–107. To "queer" becomes an act by which stable boundaries of sexual identity are transgressed, reversed, mimicked, or otherwise critiqued. "Queering" can be enacted on behalf of all non-normative sexualities and identities as well, all that is considered by the dominant paradigms of culture to be alien, strange, unfamiliar, transgressive, odd—in short, queer.

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